Ceramic Artistry of Jan Jacque
Family Tree
lidded branch vessel, glazed and airbrushed ceramic. $495 |
How It's Done
The clay I use is a fine-textured white clay. I use both 'slab' and 'coil' building methods of construction. With 'slab' construction large sheets of clay are rolled out, very much like pie dough, only bigger. The slabs of clay are then draped into curved bisque forms I have made. When the clay is slightly stiff, I put two of the curved pieces together using a coil (snake) of wet clay. The very large pieces I make by 'coiling' large snakes of clay on top of one another and pinching them together and up. This is a very slow process but it allows me the most control to create any shape I want. Once the form is roughed in the branch or sculpted hardwood is added and fit into its place on the form. It must be removed before the clay starts to shrink as it dries. In the final stages of both methods of construction the clay is paddled, scraped and sanded until very smooth.
Ceramic colorants are then airbrushed over the form and bisque fired in an electric kiln. The pieces are fired a second time to attain the smoked finish. My final firing is called Pit Firing. My Pit is actually a large metal box, which I use to contain the combustibles, pots, fire and smoke. I pack the pots in a collection of solid combustibles such as hardwood sawdust, leaves, and straw. After the combustibles have caught fire, I cut the oxygen by placing a lid on the kiln. The fire still burns but makes a very smoky atmosphere in the kiln. The smoke penetrates the clay. The different combustibles leave interesting markings on the pieces called 'flashing'. The smoke and flashings add depth and subtle nature images to the pieces. The wood must then be refit to the specific clay piece it was made with. This is because the clay shrinks as it dries and is fired. This stage of the process can be very tedious. By slowly sanding and carving the wood is made to fit the clay again. The wood is then finish sanded, stained, and lacquer sealed. The wood is then permanently attached to the clay piece. It is a long complex process, but I think it is worth the end result. ~ Jan Jacque |
Feathered Friend
16" H x 7" W x 3"D
Glazed and airbrushed ceramic piece with sculpted cherry wood accent. $440SOLD |
Sleeping Bulb
16" H x 6" W x 3"D
Glazed and airbrushed ceramic piece with branch accent. $395 SOLD |
Rock Cake
14"H x 7"W x 3"D
Glazed and airbrushed ceramic piece with sculpted cherry wood accent. $395 |